Merce Rodoreda Mirall Trencat Pdf Download _VERIFIED_
Merce Rodoreda Mirall Trencat Pdf Download
*Death in Spring (1987): This was the first Rodoreda book that I personally read and reviewed. It tackles such incredibly heavy subjects as abuse, sexuality, and abortion, and produces stunning narrative. The closest thing to The Divorce in her books, this is a wonderful meditation on that ever-bewitching human problem.
En esos momentos de decisn, personajes como Humbert Humbert, Antoine Roquentin y las seis personajes femeninos —Mirall Trencata y Feliu Metres Feu, Ines, Maria, Maria de Buenos Aires, Fernando Trencata, Emilitia— nos exigen una nueva consideracion del plenitud de las acciones de la mujer, con la nueva eficacia de la actividad femenina, dentro de este marco de sexos. (287)
*Novela de la Noche del Museo (1986): Starred by award-winning Chilean film director Ergula Monteiro, Night of the Museum is, like any of Rodoredas books, best read in the context of the political and social atmosphere she lived in Spain and it can get very complex and cloyingly political. Don Teodoro, the lover of the main character, Feliu Metres Feu, winds up in a mental hospital after shes assaulted by his brother and the museum has a few days before the end of the world.
*La Potencia de las Mujeres (1987): Spanish writer and critic Vicente Risco, who was the first in Spain to acknowledge Rodoredas literary talent, La Potencia de las Mujeres is a book in which the reader can note Riscos respect for Rodoredas literary talent and more importantly the discussions they carry on which arise from Rodoredas work.
I spoke with Scott Pelley about Merc Rodoreda for his book on 2 year-old Amalia Lazlo at a panel on immigrant mothers. Merc Rodoreda is a fascinating literary and cultural figure, and Scott included some of his thoughts in the book.
Rodoreda does not re-imagine the world’s otherness; rather, she uses representation to critique and challenge the tenets of “naturalized” western culture. She challenges her reader to consider the creation of meaning and the language she uses in her work.
Rodoreda’s texts have more affinities with folk literature than with the allegorical or “fairy-tale” fiction. In her texts, the heroine’s experience of her own world is the subject of her writing, not a quest or drama set in a fairy-tale world. Rodoreda’s heroines, in fact, are often, though not always, women with multiple lives, and often the intensity of these multiple lives is what gives the writings their dynamism. In Rodoreda’s fiction, the promise of enlightenment is never an escape from the world or the family, but a life lived more deeply within a cosmopolitan culture, as well as within a family.
Rodoreda’s work is among the most complex and multilayered of the modern Spanish literature, and her characters, in many ways, defy reduction to any particular category….In her story “The Bear’s Wife,” Merc Rodoreda addresses the double experience of women in the realm of law and in the realm of nature. (De La Riva-Ray, Isabella A., Women on the Land: Rodoreda’s Novels in Context, New York, New York University Press, 1986, p. 63)
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