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I use one for my daily commute, capturing the facades of shops, landmarks, and the odd eating establishment in the upscale lower east side of Manhattan. I upgraded the camera a few weeks back to a Pentax ME, with the H4n as its DSLR replacement (attached below). It’s a nice camera, and I’ll definitely be selling this one up. Currently, the ME is my only camera, so its a dream to carry around and shoot.
The other issue with Kodi is licensing. They would like me to pay a fee for each device I want to use. I say NO way to them, but they have a point that the TV is a home server and uses the network to watch other devices and it does have a micro-controller in it.
Ive been trying to do this for awhile. I have the most basic kit from high speed till half the neighborhood. I want to get the first one to work and save a bit of cash but that will be a few months from now. I really want to use the EXITBIN code but I do not know what it is for you system or your model. I dont know if this will be ok but when i need to power on my tv I turn the Comcast box on next to it and it makes a noise when it turns on and my tv turns off. I do know that my other receivers turn on my cable box by pressing the rec button to turn on the TV.
I think that the main purpose of devices that reject HDMI in output one is to prohibit people from using a videocamera that has HDMI out to record VHS or Computer video files. How many times have we seen some popular videocamera rejected by manufacturers as being incompatible with their new devices? There are many companies out there who are designeing low cost HDMI-adaptors to plug onto HDMI-cards in order to make use of the video files that are converted from HDMI before they are sent via an HDMI out cable to some converted device. Most HDMI-adaptors I’ve seen have a tiny built-in TV tuner for conversion from DTS or Dolby Digital to AVCHD format. These may not be HDCP-compliant (and they aren’t compatible with all HDCP-compliant DVD players) but since they’re a cheap alternative to a costly device, are accepted widely. The fact that many companies are designing HDMI-adaptors that will plug into TV tuners means that they are using the fact that there’s always the possibility of a TV being used instead of a videocamera.
You need a hand to place film in the camera, and a lot of experience to select the right components for your situation. Minolta, Olympus and Sony tend to make the best film cameras, but for some reason you do not see them commonly used as kit lenses for 1.6-3.5-6.3. Instead, you see Nikon, Sigma, Tamron and others. Many of the rare film SLR cameras are really large and heavy, and are offered as kit lenses for large telephoto lenses, making them even larger and heavier. Kit lenses for common focal lengths are not all that common. For example, a Tamron 16-300mm lens weighs only 1.4 lbs and comes in a compact, soft-edged plastic case with a tripod collar, making it far less of a hassle to carry around than a standard kit lens for a telephoto lens would be. This is another area where the user may need to buy a lens. Most kit lenses are for M or P lenses, but the PL series of lenses is a good choice for a kit lens. For example, the Minolta 17-40mm f/4-5.6. This is a very fast wide-angle zoom, but it will be large and heavy if you want to use it as a kit for the Minolta MC series or the Konica Minolta 50mm f/1.7. I have a similar lens for the Minolta MC 17-55mm f/2.8-4.8, and it is only 1.2 lbs, which is great for my needs. Or I could get the Konica Minolta 50mm f/1.7-2.8, which is about the same size, but lighter, and it is also a modern lens from a respected brand. I found the Konica Minolta 50mm to be slightly better than the Minolta 50mm, so it will be interesting to see the differences between the two. I have been in touch with their respective websites and they both look OK. At first I was going to go with the Minolta, but then I considered the Konica. The Minolta has three cheap-feeling mounts but the Konica uses a screw mount, which is more familiar to most users. The lenses made by Sigma also have the same screw mount. The Konica has a variable aperture (1/3) that works well for shooting black and white film. The Minolta has a fixed 1/2.8 aperture that might be a little brighter for shooting black and white film. 5ec8ef588b
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