Arturia Solina V V2.3.1 WORK 💙
Arturia Solina V V2.3.1
in the graphic display mode, the lower envelope is a pretty straight line, with a snap on the attack and a gentle decay. the mid and upper envelope take a more complex form. the upper envelope controls the sustain of the note; the mid envelope controls the release and attack of the note. the mid envelope also has a slider control for the panning, which can be used to control the sound image on your stereo speakers. the mid envelope also controls the amount of spring-reverb in the sound, and can be a useful tool for adjusting the echo size and shape of your sound. note that the sustain of the upper envelope is the only way to control the snap of the note. the upper envelope can be set to sustain the sound as well as release it, but the snap is fixed. the lower envelope can be set to sustain the sound and release it, or it can be set to release the sound and trigger a sustain for itself. in the latter case, the whole note can be released by touching the off key. you can use this feature to create a very subtle vibrato on the note, as demonstrated by the graphic below. a variation on this technique can be found on the monophonic section of the solina v, where a separate sustain control is provided. when set to sustain, it holds the note for a fixed length of time, and then releases the note. this is an excellent way of adding subtle vibrato to a note, but it does have a few disadvantages. first of all, you cant control the length of time the sustain is applied.
it is worth noting that the solina v is a digital instrument and, while the top panel has been crammed with knobs, faders and switches to the right of the keyboard, it still feels as light as a feather and can be operated with one hand. there are even two menus, as if you had to make an important decision. besides, its a solina, so everything is in the right place. power on, press the touch screen at the top, as in any other portable device and the top screen in the solina v will be displayed with all the necessary information. from here you can:
- manage the instrument
- register user profiles
- control the parameters
arturia has released a new version of their software collection, spark 2, and theyve focused on improving the sound and stability of the software. the software is available for both windows and mac os, and is fully compatible with the new synth rig system. spark 2 features 7 new instruments, 2 new effect processors and a host of new modules. the daw is designed to be easy to use, but also allows more skilled users to craft their own effects and instruments.
arturia spark, arturia sparkle, arturia spark 2, arturia spark 3, arturia spark 2 review, arturia spark vdm, arturia spark vst, arturia.. spark 2 brings the world-renowned synthesisers synclavier v, and synclavier ii and iii, and the newly-introduced synclavier m, to a new generation of musicians. spark 2 brings a new sound engine, a host of new modules and effects, and new features to the synclavier platform.
arturia spark, arturia sparkle, arturia spark 2, arturia spark 3, arturia spark 2 review, arturia spark vdm, arturia spark vst, arturia.. the new arturia spark 2 software introduces the third generation of the synclavier family, the synclavier ii, and the new synclavier m. spark 2 is a powerful instrument that will let you to create beats and sounds on your computer. spark 2 brings a new sound engine, a host of new modules and effects, and new features to the synclavier platform.
for the bass voices, i found that the tone could be improved by selecting the crescendo contour as a more traditional exponential decay rather than the anti-attack shape of the original, and i found the sustain to be much longer and the bass resonance to be more pronounced. there is also a sustain control, which i didnt find to be really helpful. the end result is a much more resonant sound than the original, and one that lends itself to playing with a more percussive attack. lastly, the polyphonic bass voices have a crescendo parameter that controls the release length, allowing the articulation of notes to be more complex. finally, the bass section of solina v has a control for the octave shift when playing phrases at the same time, which makes it possible to play very complex chord sequences with the bass voice. i found that a full range of notes could be played very quickly (i was making phrases that sounded like a single melodic line), but notes that i couldnt normally play were too high (an octave shift would have been too high!).
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